EastWest Hollywood Solo Harp
The EastWest/Quantum Leap Hollywood Harp virtual instrument is a library designed to work together seamlessly with the Hollywood Orchestra series. While it includes many of the same features, there is a key difference outlined below.
- The microphone configuration is designed for solo instruments, as opposed to a full orchestra. Instead of the surround and vintage surround microphone positions used in the Hollywood Orchestra series, the Hollywood Harp supplements the close and mid microphone positions with vintage alternatives.
This library contains a Harp with a multitude of articulations that a Harp is capable of including:
- Glissandos in Majors, Minors and Modes
- Nail Picks
- Double Hits
- Thumb Plucks
- Pres de la table
- Special FX
For further details on articulations, please see the Contents tab.
Hollywood Solo Harp can be purchased separately here in the Gold Edition, but also forms part of EastWest's Hollywood Solo Instruments Series:
These extensive libraries were recorded, engineered, and produced with the superior level of sound quality the EastWest brand is known for. Each of the instruments were recorded in Studio 1 at EastWest Studios, the same studio Hollywood Orchestra was recorded in.
This gives the complete Hollywood Orchestral series a consistent sound and ambience, which emulates a traditional large studio orchestra.
A wide variety of articulations were recorded for each instrument, focusing on typical solo instrumentation. In some cases, these various articulations are presented as separate instruments in PLAY’s Browser view. In other cases articulations are accessible via a key-switch instrument, where multiple articulations load as one instrument, and pressing a trigger key activates the current one.
These instruments can be used on their own or integrated into a larger orchestral framework with other titles in the Hollywood Orchestra Series. All these titles have been designed to work together to create an integrated orchestral sound. They were all...
- Recorded in the same studio with many of the same microphones and positions
- Engineered by Sound Engineer Shawn Murphy
- Produced by Doug Rogers and Nick Phoenix
- Programmed using the same practices and software