The Unfinished Omnisphere Ferox
Ferox features an eclectic blend of analogue, hybrid acoustic, dark and distorted textures, rhythms, sequences and atmospheres. A brooding, eerie, shadowy, noisy, swarming soundset designed to get under your skin.
The dark and mysterious modern tones of their film scores for Gone Girl and The Girl with the Dragon Tattoo supply the canvas on which Omnisphere Ferox has been created, and is full of lo-fi drumloops, ghostly mallets, crumbling analogue synth riffs, drifting modular leads, haunted pianos, warm synth pads, damaged acoustic basses, gritty basses, disturbing ambience, fractured strings, odd synth noises, broken retro machines, melancholy soundscapes and curious hybrid instruments.
SUMMARY OF FEATURES
- 300 patches for Spectrasonics Omnisphere 2.
- Intricately configured and useful programming on the modwheel
- Inspired by the cinematic work by Trent Reznor and Atticus Ross